Showing posts with label exhibitions. Show all posts
Showing posts with label exhibitions. Show all posts

Friday, May 29, 2009

Tivon Rice




Tivon Rice is a new media artist that explores how traditional methods of learning are influenced by mass media and digital technology. His videos and sculptures create a dialogue between the distanced, purely optical domain of the tele-visual and a sensual awareness held in the body and mind. The artist embraces digital media as a vehicle for modern communication while experimenting with both video and sculptural objects that examine visual perception and temporal awareness.

Rice is currently pursuing his PhD at the University of Washington, Center for Digital Arts and Experimental Media in Seattle. Recently, he had solo exhibitions at the 911 Media Center and Lawrimore Project in Seattle, as well as a solo show with the Portland Art Academy. In 2006, the artist received a Trust Fellowship from the Joan Mitchell Foundation for his sculpture The History of Television: 1974-2006.

Wednesday, May 27, 2009

Anthony Auerbach 'Index'

Artist Anthony Auerbach talks about his work “Index (The State of New York)”, presented at Scope New York 2007 art fair by Marc de Puechredon Gallery.

Index is an inventory of the photographs resulting from the aerial survey The State of New York. The survey recorded the ruined state of the terrazzo map of the ‘Empire State’ which was installed in the floor of the New York State pavilion for the 1964 World’s Fair. Scope New York 2007, February 27, 2007.

Friday, April 10, 2009

Oasis


OASIS (HD) - sand from yunsil heo on Vimeo.

A surface covered with black sand turns into a pool full of life when people grab and remove a handful of sand away. In this micro-world, virtual creatures are born, live and perish.They recognize their spatial boundaries and obstacles of living and respond to peoples' touch in various ways.
A real-time computer vision engine has been developed to interpret the physical status of diverse materials of the installation. The program populates creatures with various characteristics and controls their behaviors in real-time. A swarm intelligence has been implemented to simulate the flocking behaviors of the creatures and their life-like motions.

'Oasis I' used various natural materials: sand, pebbles, water & leaves.
The major interaction people can enjoy with is shaping a pond and watching creatures staying in it. People enjoyed shaping complicated territories, making canals between large ponds or trapping creatues in small areas. Also, creatures are designed to avoid pebbles that people placed inside the pond area and get surprised when people make a loud noise by dropping pebbles.

Thursday, April 9, 2009

American Streamlined Design

A time warp exhibition of the best of classic product design from the Wolfsonian Museum.


Saturday, February 7, 2009

Goshka Macuga : Kunsthalle Basel

“I Am Become Death investigates the aesthetic form as a weapon deployed in conflicts between political powers and the impact of official ideologies on the production of art that still aspires to autonomy. At the same time, the exhibition puts forward the possibility that aesthetic potential can be used to opposite ends, as a means of taking a critical look at the present day.” (PR Kunsthalle Basel).
Goshka Macuga was born in Warsaw, Poland in 1967. She lives and works in London. In 2008, she was one of the four nominees for the Turner Prize.

Yin Gao

Ying Gao studied fashion in Geneva and Montréal and earned a Masters Degree in Multimedia at Université du Québec (UQAM). Since 2003 she is a professor at UQAM’s fashion school.
In this video, Ying Gao talks about the works on show at plug.in, her background, and future projects. The exhibition is running until the 1st March, 2009. Plug.in, Basel / Switzerland, January 16, 2009.

Enricho David in Basel

Enrico David’s solo show at the Museum für Gegenwartskunst in Basel bears the cryptical title How do You Love Dzzzzt by Mammy? The exhibition circles around just a few elements: Two photographs showing two small boys occupied with a piano – one of them the artist himself – and a portrait of a man. A second installation presents a room with a scene based on the Surrealist photo collage 'Vielle femme et enfant' (ca. 1935) by Dora Maar.