Enrico David’s solo show at the Museum für Gegenwartskunst in Basel bears the cryptical title How do You Love Dzzzzt by Mammy? The exhibition circles around just a few elements: Two photographs showing two small boys occupied with a piano – one of them the artist himself – and a portrait of a man. A second installation presents a room with a scene based on the Surrealist photo collage 'Vielle femme et enfant' (ca. 1935) by Dora Maar.
No one ever said
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